Balance

Our design approach continually refines the relationship between the macro and micro, expanding a space to uplift the senses, or contracting it using texture and finely crafted
detail to ground and centre them. Balance can be found in the transition between timber and marble, the scale and texture of rammed earth and its relationship to the internal and external experience, the dynamic nature of light and its effect during the day and into the night. Every project is an exploration into the potential of materials and how they can be used to shape a feeling.

Like a beautiful piece of music, the proportion, scale, harmony and balance within architecture shapes its rhythm and how we experience it.

Our projects can take two or three years to build, and we oversee every element to create the most solid and beautiful buildings we can. This has become a unifying philosophy of our practice.

Our studies in architecture, sculpture, painting, printmaking and drawing have focused our approach to planning and detail, and the metaphysical effect of objects. One local example, Melbourne’s Reed House (now known as the Heide II gallery at the Heide Museum of Modern Art) was designed by David McGlashan in 1963. The clarity of the plan – the volume, the calmness of spaces and the material detail – visually and physically connects the building to the surrounding landscape. More than two thousand years ago and fifteen thousand kilometres away, the ancient Greek architects of the Parthenon epitomised the idea of balance by manipulating perspective on a massive scale. Nothing has topped that purity. The slight curve and taper of the columns tricks us into believing that they line up perfectly.